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#COLE MANNOTE FREE#
Place a qualifying order over $49* and receive FREE DOMESTIC GROUND SHIPPING. Booklet featuring rare photos and an essay by critic Thomas Conrad.
Manufactured at Record Technology Incorporated.All-analog mastering (direct from the master tapes) by Kevin Gray.Audiophile-quality 180g vinyl 6LP box set.Curated by Music Matters co-founder Joe Harley.
#COLE MANNOTE FULL#
We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session." We do not roll off the low end, boost the top or do any limiting of any kind. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. It means that you will never find a superior version. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records.
Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets.
#COLE MANNOTE SERIES#
Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. The box set includes a booklet featuring rare photos and an enlightening essay by critic Thomas Conrad.īlue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2022.
Round Trip: Ornette Coleman On Blue Note presents all-analog 180g vinyl LP editions of all six albums featuring Coleman that were recorded for Blue Note, including his five albums as a leader – the two-volume At The ‘Golden Circle' Stockholm (1965), The Empty Foxhole (1966), New York Is Now! (1968), and Love Call (1968) – as well as his lone sideman appearance on New And Old Gospel (1967) by fellow saxophonist Jackie McLean. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career. Iconoclastic saxophonist and composer Ornette Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. Reasons for the need to avoid gratuities Factors being considered by police officers when accepting gratuities Situation where police officers must refuse to accept gratuities.All-Analog 180g Vinyl 6LP Box Set of Ornette Coleman's Round Trip Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley Reasons for the need to avoid gratuities Factors being considered by police officers when accepting gratuities Situation where police officers must refuse to accept gratuities.ĪB - Examines the police acceptance of gratuities in order to highlight some particular situation in which their acceptance would always cause problems.
N2 - Examines the police acceptance of gratuities in order to highlight some particular situation in which their acceptance would always cause problems. N1 - Imported on - DigiTool details were: Journal title (773t) = Criminal Justice Ethics. T1 - When Police Should Say ""No"" to Gratuities
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